Roland Wilhelmsson cofee table model "Bamse" 1973 in solid pine.

Roland Wilhelmsson cofee table model "Bamse" 1973 in solid pine.

€2.500,00
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Roland Wilhelmsson cofee table model "Bamse" 1973 in solid pine.

Roland Wilhelmsson cofee table model "Bamse" 1973 in solid pine.

€2.500,00

This coffee table by Roland Wilhelmsson model Bamse has been design and made in 1973 is a compact, low-profile piece that emphasizes solid craftsmanship and the natural character of pine. Its form is simple and grounded, with a thick rectangular top that appears robust and slightly overhanging, giving it a sense of weight and stability.The surface is made from wide pine planks, where the grain, knots, and warm honey tones are clearly visible, celebrating the organic qualities of the material. Circular wooden plugs are set into the top at regular intervals, a signature detail that both reinforces the construction and adds a subtle decorative rhythm. Overall, the design reflects Scandinavian ideals of functionality and material integrity, combining a handcrafted feel with clean, geometric simplicity. The table is signed by the artist. 

Dimensions : Height approx. 40 cm, large : 70 cm Depth : 75 cm.

About the designer : Roland Wilhelmsson (1928–2017) was a Swedish furniture designer best known for his work in solid wood—especially pine—and for being part of the post-war Scandinavian design movement.

He studied at the University College of Arts, Crafts and Design in Stockholm and later worked with major Swedish manufacturers like Nordiska Kompaniet before establishing his own studio in the 1960s. His career sits firmly within the golden era of Scandinavian modern design, but his work often leans more toward a rugged, almost architectural expression compared to the lighter, more refined style of some of his contemporaries.

What really defines Wilhelmsson is his approach to materials and construction. He frequently worked with solid pine at a time when it was being rediscovered in Sweden during the 1960s–70s, and he became one of the key designers associated with that movement. His pieces often highlight the natural grain, knots, and imperfections of the wood rather than hiding them, giving them a warm but also raw, tactile quality.

Stylistically, his furniture combines simplicity with a strong, almost “brutalist” sense of structure. You often see thick tops, visible joinery, and heavy, grounded forms. At the same time, his designs remain functional and restrained, reflecting classic Scandinavian principles of practicality and clarity.

He also experimented with different materials like laminated wood, leather, and metal, but his pine furniture is what collectors tend to value most today. His work has been exhibited internationally and continues to be sought after, especially by those interested in 1970s Scandinavian design and more rustic-modern interiors.

In short, Wilhelmsson stands out as a designer who pushed Scandinavian modernism slightly toward something heavier and more tactile—less polished, more honest—while still staying true to its core ideals.

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